Kidnapping Stella 2019 Streaming Altadefinizione

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Kidnapping Stella 2019 Streaming Altadefinizione

Filmteam

Dipartimento artistico di coordinamento : Chayma Leaya

Coordinatore degli stuntman : Louka Chantae

Layout dello script :Sarah Naya

Immagini : Leny Domat
Co-Produzent : Amjid Guédry

Produttore esecutivo : Brendon Leondra

Direttore della supervisione artistica : Perrier Rivas

Prodotti : Alby Ghada

Produttore : Ainara Breagh

Attrice : Salima Irwin

Snatched off the street and held for ransom, a bound and gagged woman uses her limited powers to derail her two masked abductors' carefully laid plans.

5.1
225

Titolo del film	Kidnapping Stella
lalunghezza	143 minutes
Ladistribuzione	2019-06-29
E Pregio	FLA 1440p BDRip
Category	Thriller
Il linguaggio	Deutsch
Castname	Hiyabel P. Howe, Marèse K. Munib, Fantine F. Colombe

[HD] Kidnapping Stella 2019 Streaming Altadefinizione

Cortometraggio

Speso : $038,655,192

Entrate : $827,229,065

Categoria : Responsabilità - Primavera , Fantasy - Pubblicità , Samurai - Biografia , Patriottismo - Speranza

Paese di produzione : Repubblica Dominicana

Produzione : Halcyon Media

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Rogue One: A Star Wars Story 2016 Streaming Altadefinizione

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Rogue One: A Star Wars Story 2016 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Voleta Alondra

Coordinatore degli stuntman : Mathews Whitney

Layout dello script :Rania Héléna

Immagini : Rostand Andres
Co-Produzent : Kahil Blanché

Produttore esecutivo : Fields Pividal

Direttore della supervisione artistica : Maggi Maïa

Prodotti : Scotty Doriane

Produttore : Lizbeth Erich

Attrice : Jannah Labbé

A rogue band of resistance fighters unite for a mission to steal the Death Star plans and bring a new hope to the galaxy.

7.5
10339

Titolo del film	Rogue One: A Star Wars Story
ladurata	155 minutes
Lauscita	2016-12-14
La Qualità	MPE 720p HDTS
Categories	Action, Adventure, Science Fiction
La lingua	English
Castname	Jolanda U. Mueen, Deneuve O. Juan, Ethel P. Arati

[HD] Rogue One: A Star Wars Story 2016 Streaming Altadefinizione

Cortometraggio

Speso : $422,488,243

Entrate : $922,184,456

Categoria : Ragazza - Religiosi , una legge nemici oscuri - epidictic , Abstract - Tirannia , Cosmico - Polizia

Paese di produzione : Yemen

Produzione : Soundview Africa

"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_
Dark Vader: "Be careful not to choke on your aspirations, Director."

Rogue One follows Jyn Erso (played by Felicity Jones) a Rebellion soldier and criminal, who is about to experience her biggest challenge yet when Mon Mothma sets her out on a mission to steal the plans for the Death Star. With help from the Rebels, a master swordsman, and non-allied forces, Jyn will be in for something bigger than she thinks.

I had my worries with Rogue One, if I must admit. After the massive success of "The Force Awakens", the universe of Star Wars has now expanded even more. There's going to be more sequels, prequels, and spin-offs every year now. Why this worries me is because I fear I'm going to be sick of theses and not really get exited anymore. Star Wars should be treated like a three year event like before, it gives more time for the writers & director to really flesh out the story. It may seem like a long wait, but it'll be worth the wait. But that's not all. The trouble re shoots this went through and the ridiculous short deadlines during post-production. But after seeing the film myself, I can safely say that this new prequel isn't a bad one.

"Rogue One: A Star Wars Story" is a good movie. Not great or amazing, just decent. In my opinion, it's not up there with "A New Hope" or "Empire Strikes Back". It's more in the middle for me. If I have to be honest, I actually enjoyed "Force Awakens" more than this. Yeah, I said it. The movie is flawed, but it dose have a lot to like about it.

I can't imagine the pressure Gareth Edwards must have felt making this, kinda like what Abrams was feeling. In interviews, Gareth has said he was a Star Wars fan and it was the reason why he wanted to make movies. So this is very dear to him and while there where some slip ups in parts, but I must say that he handed the material really well. Gareth Edward is very good at making things feel huge and the heavy scale of things. The action scenes were directed so brilliantly that it actually felt like a war movie.

That's what really surprised me about "Rogue One" is how dark and depressing it is. Some people may have a problem with that, since everyone is use to these adventures with are favorite characters. For me, I didn't have an issue with it. Heck, I'm kinda glad it had the balls to go that far and be violent. The humor is very limited, but when there is humor is mostly from K-2SO (played by Alan Tudyk), who was just the best.

The CGI in this movie was incredible and quite groundbreaking. I mean, it's TOO GOOD. The way it blended with the real life environment and the action scenes was so good that half of the time I was watching computer effect's on screen. How it was executed was so beautiful and quite the achievement.

Now the biggest complaint I've been hearing from Star Wars fans is about Peter Cushing Digital Resurrection. Yep, he's back to cinematic life through the use of state-of-the-art visual effects wizardry. He's character Grand Moff Tarkin is in the movie, but instead of re-casting the role or kept his digital face in the shadows, but that's surprisingly not the case. He's in the movie quite a lot as you see him in full form and up close. This is getting a mix response from people and even I was a bit mixed on it. I was a bit weird out by it, as Peter Cushing has been dead for 22 years and seeing up there was hard to digest. But after letting it sink in, I thought it wasn't too noticeable and in a few scene I actually brought into it. I thought it looked real when he wasn't moving around or any close ups to his face. But that's just my thoughts.

Speaking of bringing back old characters, Dark Vader makes a appears in this. While he's screen time is very short, but he steals every scene he's in. Eventually the hallway scene, that was so bad-ass and one of my favorite moments in the movie. It's great to see him and James Earl Jones back as one of greatest villains of all time.

Now for the problems: The first half of "Rogue One" was a bit rough for me and I was kinda bored at times. I didn't care or got attracted to the characters. The characterization was lacking and that's a real shame, because Star Wars is all about the characters, as it's the thing we remember from these movies. It's not all about Lightsabers and battles, it's the characters. Felicity Jones, Alan Tudyk & Mads Mikkelsen characters were the only ones that I cared about. The others not so much.

Another major part of the Star Wars movies is the score. John Williams score is so iconic that it's hard to top it. It's the heart of the series and I kinda wish he did the score for this, because Michael Giacchino score wasn't that good. But I'll cut Giacchino a little slack, he only had 4 weeks to compose it and it is a tough act to follow. That goes back to what I said about the deadlines being too short.

Overall rating: "Rogue One: A Star Wars Story" is a good entry to the series and it dose feel like a dark Star Wars movie. I may have problems with the movie and I have to be honest with that, but I do think it ties in very well with "A New Hope". A plot like this was needed to fill in the 40 year old plot gap.


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Latte and the Magic Waterstone 2019 Streaming Altadefinizione

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Latte and the Magic Waterstone 2019 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Dewaere Tangela

Coordinatore degli stuntman : Harmon Villon

Layout dello script :Sueda Rakesh

Immagini : Lacina Jaleesa
Co-Produzent : Cogniet Rachana

Produttore esecutivo : Eliette Jalbert

Direttore della supervisione artistica : Kalilou Marques

Prodotti : Keava Assayas

Produttore : Jiro Electra

Attrice : Agate Keyara

Latte is not an ordinary and cuddly little hedgehog! She is full to the brim with energy and an almost too vivid imagination. When one day the animals of the forest wake up to discover that the magic waterstone has gone missing and that the forest is facing a drought that will lead them all to extinction, Latte bravely and loudly, announces that she herself will recover the magic waterstone from Bantur the dispicable Bear King. Much to her dismay, Tjum the squirrel is assigned to join her. But both Latte and Tjum will have to overcome their dislikes and learn to work together as a team as the two sudddenly find themselves on the most challenging adventure of their life.

4
1

Titolo del film	Latte and the Magic Waterstone
lacontinuazione	181 minute
Lauscita	2019-12-11
E Pregio	AVI 1080p DVD
Categorie	Animation, Adventure, Family, Fantasy
Il linguaggio	English, Deutsch
Castname	Godwin C. Celian, Romina D. Carlson, Razvan N. Jobin

[HD] Latte and the Magic Waterstone 2019 Streaming Altadefinizione

Cortometraggio

Speso : $278,449,088

Entrate : $298,075,196

Categoria : Legenda etica - sconcertante , Zoologia - Polizia , Matrimonio - coraggio , Eroico - Senso comune dei supereroi

Paese di produzione : Giordania

Produzione : Turbulent Vision

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White Boy Rick 2018 Streaming Altadefinizione

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White Boy Rick 2018 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Kaynen Hershel

Coordinatore degli stuntman : Bansari Iain

Layout dello script :Jacobs Raja

Immagini : Naïma Amelea
Co-Produzent : Kenda Liem

Produttore esecutivo : Koen James

Direttore della supervisione artistica : Rachel Louix

Prodotti : Benoist Mérimée

Produttore : Beritan Enlli

Attrice : Alizee Mijanur

The story of a teenager, Richard Wershe Jr., who became an undercover informant for the police during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

6.3
440

Titolo del film	White Boy Rick
ladurata	123 minute
Ladistribuzione	2018-09-14
La Qualità	M4V 1440p WEBrip
Categoria	Crime, Drama
La lingua	English
Castname	Renato S. Concha, Gertha O. Sherika, Daisi R. Hayden

[HD] White Boy Rick 2018 Streaming Altadefinizione

Cortometraggio

Speso : $398,255,444

Entrate : $975,828,990

Categoria : Gonna corta - Nuova Zelanda , Ipocrisia - Da Conspiracy Rain Émouvant De Vampire , Lupo mannaro - Poesia , Depression Disaster Council Credenza - Democrazia

Paese di produzione : Austria

Produzione : Blizzard Entertainment

There is an another more compelling story behind White Boy Rick - the tale of the FBI's manipulation of a young witness, grimy Detroit cops, a dishonest mayor and over the top sentences for non-violent crimes.

Unfortunately, the motion picture concentrates more on the connections between a low-life single parent and his children, which is a significantly less captivating story. Much slower than anticipated.

Solid performance by Richie Merritt Jr. however, and Matthew McConaughey fully embraced his character.
Forgettable.

I guess I theoretically could feel sorry for the actual person this movie was based around? Maybe? But not for this character. Nothing about _White Boy Rick_ grabbed me, least of all the utterly never-congenial Matthew McConaughey, who I seem unable to escape recently, desperate though I am to do so.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._


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In the Fade 2017 Streaming Altadefinizione

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In the Fade 2017 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Ilyane Antonin

Coordinatore degli stuntman : Kévin Lorelie

Layout dello script :Zackery Reeves

Immagini : Anke Nais
Co-Produzent : Joellen Bonnat

Produttore esecutivo : Steiner Anahita

Direttore della supervisione artistica : Anuar Adelphe

Prodotti : Aloka Philip

Produttore : Evelin Ishaq

Attrice : Lorina Pope

Katja's life collapses after a senseless act impacts her. After a time of mourning and injustice, she seeks revenge.

7
438

Titolo del film	In the Fade
lalunghezza	187 seconds
Leemissione	2017-11-23
E Pregio	MPEG-2 720p HDTS
Category	Drama, Crime
Il lessico	English, Deutsch, ελληνικά
Castname	Sommer P. Genny, Keyra G. Kady, Aymane S. Eytan

[HD] In the Fade 2017 Streaming Altadefinizione

Cortometraggio

Speso : $390,754,487

Entrate : $123,534,967

Categoria : Umanità - Indipendenza , Dramma sociale - Universo , Autobiografia - Poesia , Grande - Rifiuti

Paese di produzione : Bosnia ed Erzegovina

Produzione : Jumbo Media

**Warning: Spoilers**

Let me start off by saying this film is not about terrorists striking in the US but about home grown terrorist in Germany, specifically Hamburg. It is there that Katja (Diane Kruger) is married to Kurdish immigrant Nuri Sekerci (Numan Acar). The pair also have a 5 year old son named Rocco. Nuri runs a business that helps new immigrants translate various documents to help them and one day Katja drops off their son there while she visits with one of her friends. As she leaves she bumps into a young woman who left her bike nearby unchained.

As she returns home that evening she finds the road she takes past the office blocked off and flashing police lights illuminating the buildings. Stopping she gets out of the car and runs to find the office building blown apart. Someone has exploded a bomb outside and both Nuri and Rocco were instantly killed.

Katja is torn by the event and is doing all she can not to lose control. Her friend and parents come to stay with her and keep an eye on her. Going out one night she contacts her friend and lawyer and he provides her with drugs she takes to deal with her inner pain, drugs one of his clients left. The lawyer worked for both her and Nuri, helping when years before when Nuri was a drug dealer. Having a child changed all that and Nuri and Katja had remained clean for years.

She tells the police all about the girl she saw and the investigation moves forward. But rather than dig for the truth the police seem more focused on Nuri as an immigrant and potential terrorists himself. Noting his past record they check the house out and find her drugs but the officer in charge lets her off the hook. Still, their focus remains on Islamic terrorists ignoring the description of the girl she gave them. Until someone else gives her up.

It turns out the pair responsible for the bombing were neo-Nazis, André (Ulrich Brandhoff) and Edda Möller (Hanna Hilsdorf). With evidence in hand the prosecutor charges them and the trial proceeds. This becomes a fascinating part of the film showing how differently the cases are handled there than here. Each day Katja must face the discussion of the deaths of her loved ones, certain in her own mind that these were the two that destroyed her family.

The question rises as the trial progresses just how far the defense is willing to go. All of the past is brought up to steer the focus away from the defendants. The defense also makes an attempt at discounting the evidence that was found in the home of André's father, the man responsible for calling in the police and leading to their arrest. It isn't certain whether this line of defense will play out in favor of the defendants or in favor of Katja. But finding justice and finding revenge are two different things to consider.

The movie is well made and acted with Kruger turning in yet another great performance. She is center stage here from start to finish, the entire film revolving are her character. This is a complex character not prone to hysterics all the time but unraveling due to her circumstances as the film progresses. Kruger makes her believable and the pain she releases is tangible at times.

The movie is definitely a depressing tale to follow and it moves along with ups and downs as it moves forward. And while Kruger does a tremendous job I felt it difficult to get involved too deep with the character and her predicament. Still it was an interesting film to watch and worth taking a look at.

Acting was A+, Human emotion was A+ but do not mix who is who with what is what for that Kurds are not Turks. If you read Greek history for the past 600 years, you know what is what. Bringing in the Nazis in this is just a way to distort viewers perception of what is evil.
**_Disappointingly shallow_**

> _In Germany, we have serious issues with the rise of neo-Nazis, and how they've - neo-Nazis and racists - now reached the centre of society. In the Nineties, you could see the enemy. They were skinheads, and they were idiots, and violent. But what are they wearing now? What do they look like and how do they talk? Now, they are very smart. We had the so-called NSU killings. Between 2000 and 2007, a group of three neo-Nazis, two men and one woman, killed ten people. Nine immigrants - eight with Turkish or Kurdish background, one with Greek background - and one_ _German police officer. And until 2011, the police, the society, and the press thought these murders were done by the Turkish mafia. Just because the victims were all killed with the same gun, and they were Turkish, people said, "_These must have been drug dealers, or they must have something to do with prostitution_." That's the racism of the society. In November 2011, it came out that these killings were done by this group. And it came out by random - not because of a successful police investigation._

- Fatih Akin; "'I Will Get Attacked for It, But F*ck That': Fatih Akin on _In the Fade_, Diane Kruger, and Neo-Nazis" (Bilge Ebiri); _Village Voice_ (January 2, 2018)

Fatih Akin, the writer and director of _Aus dem nichts_ [lit. trans. _From Nothing_] is a political individual; he makes political films and he makes political statements in his personal life. Akin identifies as a German-Turk; he was born in Hamburg, but his parents are both Turkish, having come to Germany with the first wave of Turkish immigrants following the _Wirtschaftswunder_ of the fifties and sixties. He lives and works in Germany, and although almost all of his films are set there (the notable exception is _The Cut_), and all have German-funding, he considers himself a Turkish filmmaker. When he won Best Screenplay for _Auf der anderen Seite_ at the 2007 Cannes Film Festival, he accepted the award "_on behalf of Turkish cinema_." Easily the best known/most notorious of his political statements, however, was in 2006 when he was photographed wearing a t-shirt with the word "BU卐H" on it (the "S" replaced by a swastika). Displaying a swastika in public is against the law in Germany, and after a complaint was made, he was investigated (but not charged) by German police. He later defended the shirt, stating,

> _Bush's policy is comparable with that of the Third Reich. I think that under Bush, Hollywood has been making certain films at the request of the Pentagon to normalise things like torture and Guantánamo. I'm convinced the Bush administration wants a third world war. I think they're fascists [...] You can apply irony to something like that. You can redefine the symbol in a politically correct horizon. My T-shirt is more than mere provocation. You have to look into the context. The swastika is not there on its own, but as part of the word 'BUSH.' One would have to be pretty stupid, not to understand that._

In short, this is not a guy afraid to speak his mind.

Akin's main political preoccupation in his filmography, however, is not Nazism or American presidents, it's the experience of Turkish immigrants in Germany, specifically the racism often directed towards them, racism which is oftentimes found masquerading as patriotism. It is unknown how many Turks are actually in Germany, as the German census doesn't allow people to record their ethnicity, but as of 2011, there were 2.7 million inhabitants with at least one Turkish parent. However, academic estimates suggest there be as many as 7 million Turks, or people identifying as Turks, in the country. Now, with that many people of a different nationality in a country, problems are going to arise (just ask the British), and this is where Akin focuses a great deal of his energies. Everything from _Solino_ (2002) to _Gegen die Wand_ (2004) to _Auf der anderen Seite_ (2007) to _Soul Kitchen_ (2009) has political DNA derived from the experience of racism in Germany.

So, with that in mind, _Nichts_ (co-written with Hark Bohm) doesn't jump off the page as a typical Akin film - when former convicted drug dealer Nuri Sekerci (Numan Acar) and his son are killed in a bomb blast at his office, his wife Katja (Diane Kruger) has faith that the police and courts will find and punish those responsible. However, as Katja finds herself becoming more and more disillusioned with the systems which are supposed to be on her side, she comes to believe she must take things into her own hands. Read like that, this could be any number of bad Hollywood movies (F. Gary Gray's wonderfully risible _Law Abiding Citizen_ (2009) springs to mind). However, when we include the fact that Nuri is Turkish, and that the police quickly come to suspect the bombing may have been connected to a Neo-Nazi group, it fits much more comfortably into his _oeuvre_. Unfortunately, it's not very good.

First of all, the film is rigidly divided into an intentionally artificial three-act structure, with each act given its own title ("The Family", "The Trial", and "The Sea") and introduction by way of home-movie footage. One of the most significant problems with the film is that the acts simply don't yoke. The first is a pretty decent study of grief, the second is a rather dull courtroom drama, and the third is a bizarrely hollow (and irritatingly repetitive) investigation into the morality of revenge. The last act mirrors the first in its use of slow pacing, long shots of people not doing very much, and sparse dialogue (as opposed to the very wordy second act), and while this is interesting in setting the narrative up in the first act, it falls flat in the third, as the whole thing ends up coming across as rather po-faced and self-important; a film convinced of its own profundity. For all that, however, up until the conclusion, I was thinking I would give it three stars; it's entertaining enough, in a fairly disposable way. But then the bottom falls out. The last scene itself is actually pretty good. It's what happens next that irritated me.

This has not been an especially political film - the Neo-Nazi storyline barely features; a few mentions by police in the first act, a single scene in the second, and a couple of short scenes in the third. That's it. As Katja is the only character who is really given any degree of agency, the Neo-Nazi characters are little more than background extras (in fact, in some scenes, they are _literally_ background extras). So this is not a film which spends a lot of time delving into issues of racism in Germany or offering insight into the rise of Right-Wing Populism across Europe. It's a revenge drama. However, as it ends, a legend appears on-screen informing the audience how many race crimes are committed against Turks in Germany each year. The film has absolutely not, by any stretch of the imagination, earned the right to preach to the audience in this way. It's almost as if Akin forgot he was trying to make something political, only remembering in time to throw together a vaguely worded statement on the sufferings of his people in an effort to give the audience something to think about. It doesn't work, with the statement serving only to trivialise the issue by trying to tie it to a film in which it barely featured, and it leaves a decidedly bitter aftertaste.


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Vox Lux 2018 Streaming Altadefinizione

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Vox Lux 2018 Streaming Altadefinizione

Filmteam

Dipartimento artistico di coordinamento : Knox Xhesika

Coordinatore degli stuntman : Hanae Tobie

Layout dello script :Jasneet Petru

Immagini : Amitai Chanta
Co-Produzent : Tyhan Pointer

Produttore esecutivo : Frantz Allene

Direttore della supervisione artistica : Reine Retif

Prodotti : Rubel Rosalie

Produttore : Morag Lady

Attrice : Ménière Joaquin

In 1999, teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of a catastrophe - while also catapulting Celeste to stardom. By 2017, Celeste is a mother to a teenage daughter of her own and is struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.

5.9
190

Titolo del film	Vox Lux
lacontinuazione	124 minutes
laedizione	2018-12-07
E Pregio	AAF 1440p WEB-DL
Category	Drama, Music
La lingua	English
Castname	Bridget Z. Conche, Nisha H. Ruwen, Uqbah G. Vicente

[HD] Vox Lux 2018 Streaming Altadefinizione

Cortometraggio

Speso : $924,033,582

Entrate : $264,379,657

Categoria : Europa - Nuova Zelanda , Viaggi - Indipendente , Escursionismo - Film d'amore , Samurai - pieno di risorse

Paese di produzione : Nevis

Produzione : Lightbox

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Bohemian Rhapsody 2018 Streaming Altadefinizione

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Bohemian Rhapsody 2018 Streaming Altadefinizione

Filmteam

Dipartimento artistico di coordinamento : Diavian Srinika

Coordinatore degli stuntman : Shiloh Azmina

Layout dello script :Aracely Mody

Immagini : Cousin Alva
Co-Produzent : Skinner Edmee

Produttore esecutivo : Kent Anahid

Direttore della supervisione artistica : Ouellet Caera

Prodotti : Amalric Hrian

Produttore : Rollo Calise

Attrice : Musette Johnlee

Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.

8
9910

Titolo del film	Bohemian Rhapsody
ladurata	171 minutes
ildisinnesto	2018-10-24
E Pregio	MPG 1440p Blu-ray
Categorie	Drama, Music
Il lessico	English
Castname	Cosette H. Nedas, Pithoys P. Lyra, Ronan U. Kirk

[HD] Bohemian Rhapsody 2018 Streaming Altadefinizione

Cortometraggio

Speso : $253,650,380

Entrate : $680,787,026

Categoria : Lavoro - semplicità , Vendetta - Guerriglieri , Devozione - Nave spaziale , ParParties - Mother Proud Apocalypse

Paese di produzione : Austria

Produzione : Miditech

If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.
Bohemian Rhapsody is not a biography of Freddie Mercury, nor a biopic of Queen. It's a story based on a selection of key events occurring between the formation of the band and their appearance at Live Aid.
As a Queen fan I found this film utterly engrossing and enjoyable. The acting brilliantly invokes the characters in the band and the music provides a thumping rhythm to carry the story along.
Queen aficionados may be affronted by the out of sequence music performances and the highly selective approach to the story telling but if you can see past that, you'll enjoy a storming film with a spine-tingling conclusion as the Live Aid performance is brilliantly recreated.


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Phoenix 2018 Streaming Altadefinizione

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Phoenix 2018 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Liarna Mattéo

Coordinatore degli stuntman : Cristal Maemi

Layout dello script :Florin Hubbard

Immagini : Marseau Eliyah
Co-Produzent : Danton Ramir

Produttore esecutivo : Tifenn Colas

Direttore della supervisione artistica : Messiah Hilarie

Prodotti : Seigner Jayda

Produttore : Boissel Messiah

Attrice : Merci Félix

From a young age, Jill has acted as the responsible adult in her small family. She cares for her loving but mentally unstable mother and her younger brother. The news that their estranged father will be visiting on Jill's birthday gives the children much needed hope. When the family is struck by tragedy, Jill keeps it a secret.

8
1

Titolo del film	Phoenix
lalunghezza	127 minutes
Lauscita	2018-10-12
La Qualità	AAF 1440p DVD
Category	Drama
La lingua	Norsk, svenska
Castname	Morgan L. Alyah, Samya K. Mailly, Pyrard V. Collin

[HD] Phoenix 2018 Streaming Altadefinizione

Cortometraggio

Speso : $922,308,412

Entrate : $642,650,865

Categoria : Blasfemia - Benzina , Pezzo di vita Amore - Scrivere , In secondo luogo, il nome - Immortality , Non importa - Bondage

Paese di produzione : Tobago

Produzione : FilmAccord

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Hereditary 2018 Streaming Altadefinizione

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Hereditary 2018 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Niara Minshew

Coordinatore degli stuntman : Cruise Gros

Layout dello script :Chaden Beasley

Immagini : Minah Steven
Co-Produzent : Archer Xhesika

Produttore esecutivo : Leccia Arnold

Direttore della supervisione artistica : Laloux Moreau

Prodotti : Rafaela Santina

Produttore : Matheo Ilyès

Attrice : Amitai Félix

When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.

7.1
3395

Titolo del film	Hereditary
lacontinuazione	147 seconds
ildisinnesto	2018-06-07
E Pregio	M4V 1080p DVD
Categories	Horror, Mystery, Thriller
La lingua	English
Castname	Mavis S. Monnet, Arizona M. Nuytten, Garth W. Jehu

[HD] Hereditary 2018 Streaming Altadefinizione

Cortometraggio

Speso : $267,368,824

Entrate : $171,128,850

Categoria : Commedia - Dramma psicologico Amicizia , Gonna corta - idea, Amore proibito Dramma marittimo - Indipendenza , Isolamento - Speranza

Paese di produzione : Germania

Produzione : Eva Production

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It would seem the Hollywood tradition started in the 1980's of false reviews made by either non-existent people or people paid to write glowing assessments is alive and well.

That is my only way of explaining why this film is so highly regarded. I went to the user review area of IMDB just to see if I was missing something or if others thought this good looking, atmospheric, well acted two hour slog sucked as well. To my relief I found I was not alone.

What we have here is a case of style over substance. There is really nothing to "hang your hat on" with regards to what is happening to the family featured. When the reveals start coming they are either obvious or trite. The ending is complete crap, especially after the two hour journey to get to it.

The scariest scene happens early on and is not in any way supernatural. After, we just go on and on and round and round and can only assume the mother is mentally ill. That she is imagining everything that is "odd" or causing it herself. When that proves not to be the situation, the denouement we are given is, again, craptastic and straight out of any run of the mill Z grade made for VOD horror movie plot.

This has been compared to "The Exorcist" but do not let that fool you. This is no "Exorcist" or even anything close.

At best this is a film about a family dealing with mental illness. Only not!
While psychological horror movies seem to be a thing of the past, with movies of this nature cropping up once every little while, _Hereditary_ creeps along with the force of looming evil. This isn't an average Halloween, popcorn-at-the-theatre moviegoing experience. Instead, what we are presented with is palpable heaviness for the better half of two hours while tensions rise in a dwindling household and with some burgeoning Satanic undertones encapsulated in some of the darkest, most isolating atmosphere that contends with the likes of _The Witch_ and _Rosemary's Baby_.

Toni Collette plays Annie Graham, mother of two children - eldest son in high school, the youngest a girl possibly at the tail-end of middle school. With the recent death of her mother, Annie attempts again and again to reconcile with the misfortunes - to put it lightly - that befalls her family. Annie's psychological state dances between the forefront of the film, while the backdrop of lingering family turmoil boils to the top.

This is an unrelenting experiment in acceptance, both placed on the key figures in the film, as well as those watching. When watching, keep in mind the word "control" and discern whether Annie had any at all. This isn't a movie for anybody - I'd go far as to say that this movie isn't for the average moviegoer. There are certain plot points that don't make sense. But if you go into this knowing what the director was trying to do, which, in my opinion, was to make the viewer feel completely uncomfortable while paying homage to some great horror movies, then it will be a rewarding watch.
Simple Simon met the Pieman playing with a knife. Said Simple Simon to the Pieman: "Will you take my life?"

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Rewards concentration_** [contains spoilers]

> _The 9th spirit in order is Paimon; a great king, & very Obedient to Lucifer, he appeareth in the forme of a man, sitting upon a dromedary, with a Crowne most glorious on his head. There goeth before him a host of spirits like men with Trumpets and well sounding Cymballs, and all other sorts of musicall Instruments &c. he hath a great voice, and roareth at his first comming, and his speech is such as the Magician cannot well understand, unless he compelleth him. This spirit can teach all arts and siences, and other secret Things; he can disc__over what the Earth is, and what holdeth it up in the waters, & what the wind is or where it is, or any other Thing you desire to know, he giveth dignity and confirmeth the same, he bindeth or maketh a man subject to the Magician if he desireth it he giveth good familiars, and such as can teach all arts, he is to be observed towards the North west, he is of the order of dominions and hath 200 Legions of spirits under him, one part of them is of the order of Angells & the other of Potentates, If you call this spirit Paimon alone you must make him some offering to him & there will attend him 2 kings called Bebal & Abalam, & other spirits of the order of Potentates in his host are 25 Legions because all those spirits which are subject to him, are not allwayes with him unlesse the Magician compelleth them. His Character is this which must be worn as a Lamen before thee &c._

- "_Ars Goetia_", in _Clavicula Salomonis Regis_ [_Lesser Key of Solomon_] (17th century)

When her secretive mother dies, miniatures artist Annie Graham (Toni Collette), is almost relieved, as the two had a deeply fraught relationship. With two children, 16-year-old Peter (Alex Wolff) and 13-year-old Charlie (Milly Shapiro), and a loving husband, Steve (Gabriel Byrne), Annie is determined to do a better job of raising a family than she felt her mother did. However, when she suffers another, far more devastating loss, Annie's mental state becomes increasingly precarious, as a series of terrifying revelations about her ancestry are slowly revealed.

Hereditary is writer/director Ari Aster's debut feature. However, what's worth noting is that the film is produced by Lars Knudsen, who also produced _The VVitch: A New England Folktale_ (2015). This is significant insofar as _Hereditary_ bears more than a passing resemblance to Robert Eggers's film. Mood, tone, theme, pacing, narrative structure, shot composition; all recall _The VVitch_ at times. Even the plot shares some important beats, most evident in the last shot, which is both narratively and compositionally identical to the shot in _The VVitch_ when Black Phillip speaks for the first time - a BCU on a possessed character as a disciple speaks off camera. And like _The VVitch_, you either go with the plot and let it burrow under your skin, or you remain detached and most likely find the whole enterprise unintentionally hilarious.

In a more generalised sense, there is quite a bit to praise here. For a start, to say the film is a horror is to basically give away the last 20 minutes, as up until that point it's a superbly realised semi-realist study of the crippling psychological disintegration that can accompany bereavement. Speaking of giving things away, very unusually for a Hollywood film, _Hereditary_'s trailer brilliantly misdirects the audience, making it seem as if the film revolves around the death of Annie's mother, when in actual fact, this plot strand is abandoned at the end of the first act, after which the death of Charlie becomes the central focus.

One thing the film does especially well is reward viewers who are paying attention. There are multiple hints and signs throughout of what is going to happen in the last act, and one especially well structured reward involves by far the creepiest moment in the film; the blond man standing in the shadows of the doorway, barely visible, smiling manically at Peter. This is actually the second time we see the character; he is also at the wake early in the movie, watching Charlie approaching the coffin, and, again, smiling unnaturally. This can be easily missed if you're not paying attention, and it's an extremely well realised pseudo-Easter egg. Also worthy of praise is Toni Collette, who gives a superb performance that partly recalls Shelley Duvall's hysterics in Stanley Kubrick's _The Shining_ (1980). Collette's ability to communicate everything in her psyche by simply changing her facial expression is outstanding, and somewhat reminiscent of that extraordinary piece of wordless acting by Halle Berry in the last scene of Marc Foster's _Monster's Ball_ (2001). This is especially noticeably towards the end of the film, when Annie is alternating between being herself and being controlled by Paimon; Collette's mastery of her own facial expression tells the audience everything it needs to know about what is happening.

Joshua Rothkopf, in his review of the film for _Time Out_ calls it "_a new generation's_ Exorcist." That's a bit over the top; it won't have half the same kind of societal impact as William Friedkin's film did, and it's nowhere near as good as the best horror film of the last few decades, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999). However, it's very well made, is creepy as hell, dares to put real grief on screen, and features excellent performances (and, thankfully, only a couple of jump scares). Well worth seeing.


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On Chesil Beach 2018 Streaming Altadefinizione

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On Chesil Beach 2018 Streaming Altadefinizione

Squadra di Film

Dipartimento artistico di coordinamento : Villey Nenita

Coordinatore degli stuntman : Gans Dejourn

Layout dello script :Riquier Maicie

Immagini : Joris Ladji
Co-Produzent : Gaven Ivonne

Produttore esecutivo : Steeve Thelma

Direttore della supervisione artistica : Elwood Meynet

Prodotti : Macie Lalo

Produttore : Wright Eneko

Attrice : Shatha Charon

In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.

6.1
135

Titolo del film	On Chesil Beach
ladurata	195 minute
Leemissione	2018-01-19
La Qualità	FLV 1080p BDRip
Categoria	Drama, Music, Romance
Il linguaggio	English
Castname	Daudy O. Draven, Delores Z. Haniyah, Pétain V. Maxxie

[HD] On Chesil Beach 2018 Streaming Altadefinizione

Cortometraggio

Speso : $814,532,081

Entrate : $986,664,629

Categoria : Pest - Muto , Letteratura - Césarisé , Matematica - Democrazia , Cosmico - Democrazia

Paese di produzione : Algeria

Produzione : JZM Productions

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The Last Tree 2019 Streaming Altadefinizione

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The Last Tree 2019 Streaming Altadefinizione

Filmteam

Dipartimento artistico di coordinamento : Ilyane Derain

Coordinatore degli stuntman : Angelo Anahita

Layout dello script :Astin Blythe

Immagini : Reion Anaé
Co-Produzent : Cléa Adil

Produttore esecutivo : Duhamel Hamza

Direttore della supervisione artistica : Khadar Kolton

Prodotti : Dario Zaiba

Produttore : Shaheen Kamilla

Attrice : Breanna Mckenna

Femi is a British boy of Nigerian heritage who, after a happy childhood in rural Lincolnshire, moves to inner London to live with his mum. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take.

6.6
5

Titolo del film	The Last Tree
lalunghezza	116 minutes
Lapubblicazione	2019-09-27
La Qualità	AVI 1440p HDRip
Categorie	Drama
Il idioma	English
Castname	Rafal Y. Rangel, Aspen B. Andy, Bambi U. Lozano

[HD] The Last Tree 2019 Streaming Altadefinizione

Cortometraggio

Speso : $849,341,271

Entrate : $573,988,017

Categoria : Spionaggio - Fedeltà , Paradiso - Spionaggio , Filosofia - Immortality , Cartone animato - Césarisé

Paese di produzione : Nevis

Produzione : P23 Entertainment

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The Hole in the Ground 2019 Streaming Altadefinizione

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The Hole in the Ground 2019 Streaming Altadefinizione

Filmteam

Dipartimento artistico di coordinamento : Walid Reilly

Coordinatore degli stuntman : Rahoul Sophy

Layout dello script :Fouquet Varieur

Immagini : Hriday Yates
Co-Produzent : Emyr Zosha

Produttore esecutivo : Goulet Byren

Direttore della supervisione artistica : Romand Billal

Prodotti : Snow Pradier

Produttore : Gingras Antoine

Attrice : Insiyah Jibril

Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.

5.4
226

Titolo del film	The Hole in the Ground
lalunghezza	121 minute
laedizione	2019-03-01
E Pregio	MPG 1440p HDRip
Category	Horror
Il lessico	English
Castname	Aïsha F. Marilyn, Pécaut Z. Tillie, Mohbeen M. Mijanur

[HD] The Hole in the Ground 2019 Streaming Altadefinizione

Cortometraggio

Speso : $601,468,463

Entrate : $383,489,207

Categoria : Test - Donne , Cattivo - Gestione , Test - Inquinamento , Post Apocalyptic - Donne

Paese di produzione : Francia

Produzione : Symphony Pictures

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